While a traditional oil lamp may be a now outdated device, the soft, warm glow they emit is something that will never go out of style. Inspired by traditional ship rigging posts, the attractive form of the Bollard oil lamp features a teak wood base, ribbed glass walls, and an integrated stainless-steel handle. When lit the patterning on the glass projects a gorgeous, soft light effect in whatever environment you place it. The simple design also blends in with any environment and can be sat on a table or suspended for a unique hanging light. 

It comes as no surprise that we here at Analog love camping, but even we can start to miss the amenities of the indoors. Cooking while roughing it also poses a unique challenge. You either lug a cumbersome gas cook stove or try and create an even enough surface to cook on an open fire. However, after discovering the MITI log grill we’re sure this will be our new favorite way to cook out in nature. The grill is inspired by traditional European cooking where you split a log into four sections and light a fire in it’s center. Next you place the MITI on top of the flat wood for a perfect metal grill. It also comes with a travel bag and four posts to secure it to the log or ground. The flat object is perfect for minimal camping trips and won’t take up much space in your bag. 


Sixfold Beer Carrier - $85


If you like building your own six-pack, but want to be more sustainably minded, or just more fashionable, then consider picking up the Sixfold Beer Carrier by Sixfold. Created using walnut slats and a uniquely cut leather swatch, the case assembles in seconds and requires no sewing or hardware. Strong and durable, the Sixfold will safely hold six of your favorite brews. The company also sells smaller cases and even wine carries using the same folded leather technique if you’d rather have a glass of wine over the local craft brews. 




wanderlust-golden ears-provincial park- british columbia- travel- nature

A drive through the mountains brings us to the silent hills of Golden Ears Provincial Park. Connecting with nature as we venture through the various trails finding new hangout spots. The water is sky blue and birds are chirping.

wanderlust-nature-landscape-golden ears-provincial park-british columbia
wanderlust-nature-landscape-golden ears-provincial park-british columbia
wanderlust-nature-landscape-golden ears-provincial park-british columbia

Climbing rocks and watching the sun walk across the sky as we stop by Gold Creek for a refreshing view. Following the North Beach Trail we find ourselves at the sight of Alouette Lake.

wanderlust-landscape-nature-golden ears- provincial park-british columbia
wanderlust-landscape-nature-golden ears- provincial park- british columbia
wanderlust-nature-landscape-golden ears-provincial park-british columbia

Skipping rocks and making memories we hope the sun never goes down.

wanderlust-nature-landscape-golden ears-provincial park-british columbia

Taking some time to soak up the sun and going for a swim, a day full of adventure is done. Not wanting to leave we know we will be back to make more memories with friends. - Brad Yuen.

nature-landscape-wanderlust-provincial park-golden ears-british columbia




Being able to mix and match accessories is always a plus in the fashion world. Versatile items allow you to easily style whatever outfit you have, for whatever occasion you need. These bracelets by studio LUUR may be the most customizable piece of jewelry we’ve seen in a while. Made up of two halves of cut Corian, the North/South bracelet is meant to act as a modern friendship bracelet. There are 5 different shapes, and 12 different colors allowing for hundreds of possible combinations. Each half is held together with two strong magnets for easy switching out. Build your own collection or give some to a friend to swap with. 

By now we've all seen the latest trend of using small gray soapstones to keep our favorite drinks cool. But those blocks leave a lot to be desired visually. If you're looking to keep your prefered drink chilled this Summer with a unique and striking design, then get these Drink Rocks by Runa Klock. Made from soapstone and marble, these geometric stones are stored in the freezer and when needed dropped into your glass. Perfect for adding a sculptural detail to your glass while chilling your drink without diluting the flavor. 

Coasters aren't often thought about until they are needed. Half the time they are made from cheap paper stock that peels when water gets on them, or are permanently sitting out on the table without any type of storage. However, the Sheepad Coaster set gives you both high quality felt coasters and a cute wooden sheep to store them on when not in use. Designed by Aleksandra Michalowska, this whimsical design has already won awards for its playful and functional appearance. It will be sure to bring a smile to your face and be an instant conversation piece at your next get together.  



ARTIST TO WATCH: Mischer'Traxler

An Analog interview with Mischer’Traxler

Founded in 2009, Mischer’Traxler is a design studio made up of Katharina Mischer and Thomas Traxler. Based out of Vienna, the duo has worked on a variety of beautiful and thought-provoking projects ranging from a rug that shows the number of days a worker took to make it, to a table that hides away decorative flora whenever someone comes too close. We here at Analog were fortunate enough to get an interview with the designers as they discussed their work, design process, and how they collaborate together.

Analog: A lot of your work deals with both nature and the passage of time. What about these ideas draws you to them?

Mischer'Traxler: Maybe we are drawn to them because both nature and time are things that constantly surround us, but are not so tangible at all. Of course in nature one can touch leaves and trees but not the wind, the weather, the sunshine or a rainbow. Being designers that love to touch, hold and grasp maybe this intangibility has this appeal to us. Probably we want to understand them as well way better than we do right now. Time is such an abstract phenomenon and nature is such an incredible thought through system. There is a lot to learn from both.

A: Being a design duo, how does working so closely next to someone influence your projects? Do you both approach these proposals differently or from a similar place?

MT: Hmmmm. We know each other already for more than 10 years and since then we exchange and discuss ideas and directions for projects. Consequently we so much got used to each other’s influences that it is very hard to distinguish each individual approach – it somehow slowly became one approach. We do normally start by discussing a project's direction together and then we discuss individual thoughts on that direction until it becomes clear what we want to do.

Art Ephemera has been designed for Perrier-Jouet

Art Ephemera has been designed for Perrier-Jouet

Art Ephemera has been designed for Perrier-Jouet

Art Ephemera has been designed for Perrier-Jouet

A: With your most recent project the Ephemera Table and mirrors designed for Perrier-Jouet , it involves outside interaction from the audience. Is this something you are interested in incorporating more into your work or just where it seems applicable?

MT: We do like interaction, but it really has to be put in an appropriate project, where it makes sense. We never start a piece of work saying it has to be interactive. Normally we analyze the context in which the project is going to exist, or who actually asks for it and why. Then we define which atmosphere we want to create or which discussion we want to trigger and then we see how the direction evolves.

A: Could you talk about your process a bit? What does a project look like from start to finish and how does it evolve?

MT: As said before first we try to define the scale and the scope of a project depending on a briefing, or a set topic or, in case of self initiated project, a particular interest. Most of the time this defines whether it is large scale, installative, kinetic, interactive, a simple object or a piece of furniture. Then we discuss if we want to communicate something with the project or if it should be very practical or if it has to solve something etc. Based on all that we define a rough framework for the project and start thinking, dreaming, discussing, testing, researching.... That's the most difficult part. This time before a concept is formulated. Once we have the concept and the idea, we start questioning if it is the best approach and how it could be even better. We start testing scales, materials, mechanics, discuss if things make sense, etc. and try to be open how these results have an influence on the “final” project. Of course now this sounds very linear but in fact it is not a very linear process, we often jump in the middle back to the start or a specific test changes the concept....We try to be flexible in order to find the best way for each project.

A: Is there ever a moment where you feel the piece is fully complete or do you keep trying to improve and change it up until the last minute?

MT: We have the feeling nothing is ever final or fully complete. We even improve and change details of projects years later. We continuously evolve and so do most of our projects.

A: Do you ever hit walls or roadblocks with projects and if so how do you work on overcoming those obstacles?

MT: Sure, we face problems within our work - like most people. We try to find ways to destroy the problem or we find a way around it. Sometimes we even manage to turn the problem into a benefit. Of course in the moment we encounter the problem we are as frustrated as others but then we work hard to solve the issue.

A: Who have been some of your greatest influences?

MT: We do not have one particular person in mind that had the greatest influence on us. Maybe we had the greatest influence on each other.

A: Is there a specific company or business that you would love to create for?

MTThere are so many things we have not tried out so the list is very long. We would love to challenge industrial processes within producing companies, we have never created stage design, and we are very interested in new technologies and materials …

A: What was one of the hardest things you encountered when starting out?

MT: As creative people, we enjoy creating projects way more than business. Sometimes we just want to make the best project and do not care much about how much money we spend. So we still struggle to find good balance between our drive to create and the business side of things.

A: What advice would you give your past-selves or to anyone who is starting their career as a designer?

MT: Stay honest to yourself and create projects the way you want them to be. Do not wait for the right occasion, or the right client or the right whatever, try always to make the best project in the given context.

Thank you again to Katharina Mischer and Thomas Traxler for taking the time to answer our questions! If you’d like to learn more about the studio check out their work and upcoming events at mischertraxler.com.




Chelsea Miller Knives - $200+

Chelsea Miller Knives - $200+

At first glance, these knives by Brooklyn-designer Chelsea Miller look unusual, but their unique appearance serves a purpose. Crafted from old Farrier rasps, Miller grinds and sharpens the metal to make functional knives with built-in grating, perfect for shredding garlic or cheese. Miller picked up the craft from her father after he fell ill and she wished to continue on his blacksmithing art. The tools have grabbed more than just our attention and her knives are back-ordered for up to six to eight weeks. If you want to own one of these distinctive rustic knives you can place an order for one on her site, but be prepared to wait up to twelve weeks.  

Campfire Candle by Revolution Design House - $18

Campfire Candle by Revolution Design House - $18

Candles are a great way to bring a nice aesthetic touch into your house and freshen up your space with your favorite scents. But most candles leave a lot to be desired as actual statement pieces in a room. These Campfire Candles by Joe Gibson of Revolution Design House add a nice designed detail wherever you place them. As it burns down, the wax slowly begins to take on the look of a campfire which is heightened by the walnut ‘X’ base. You can order one or three of them to bring a touch of the outdoors inside.

New York City Water Tower Planter by TO+WN Design - $39+

New York City Water Tower Planter by TO+WN Design - $39+

You don’t need to live in a big city to get a great view of a water tower at your desk. Created by TO+WN design, the Water Tower Planter was inspired by the iconic towers speckled throughout New York’s’ rooftops. The pieces are made possible by 3D-printing each one from eco-sustainable bio-plastic derived from corn. As your plant grows, it bursts from the roof and up towards the sun. There are three sizes to choose from each with its own unique design or you can buy an entire set to display your own personal cityscape right in your home.




Bringing plants inside your home is a quick and easy way to add accents of color, brighten up your décor, and filter your air. However, not everyone is blessed with a green thumb and some struggle to keep even a cactus or succulent alive. If this sounds like you then check out the Pickaplant Jars by Pikaplant. By hermetically sealing specially chosen plants in glass jars a mini ecosystem is born. The plants recycle the air and water in a closed system and thus require no maintenance from you. Don’t worry about the plants dying anytime soon either. A prototype from the company has been going strong since being sealed nearly a year ago. Currently you’ll have to find a retailer that carries Pikaplant Jars through their store list, however a Kickstarter campaign is soon to be announced by the company as they debut a new no-maintenance plant product. Keep an eye out for more from Pikaplant soon.

Caruma by Eneida Tavares - $100

Caruma by Eneida Tavares - $100

Some of you may be familiar with traditional pine needle baskets back from your days at Summer Camp, but these vessels by designer Eneida Tavares, breathe new life into the long-established craft. Tavares binds handpicked pine needles from local forests and ties them up into long coils that she stacks on top of one another, building the form. She pairs the pine cylinders with stark white ceramic pieces that are woven together. The end result is a beautiful modern sculpture that combines two traditional crafts into one unified piece and is meant to serve as an “intercultural dialogue.” Each piece is a handmade, one-of-a-kind design and can only be purchased through the timed sales on Tavare’s website for roughly $100. 

Designs made from natural stone are always exciting, but the raw material is usually underutilized in many mass-produced products due to its weight and often-intensive manufacturing. However, this collection of Desk Accessories by South Korean designer Jeongwha Seo really grabbed our attention. Inspired by the volcanic landscape of the Jeju Island in South Korea, the collection consists of coasters, a business card stand, a paperweight, a penholder, and a pen tray, all carved from the local Basalt stone. Each piece is finished with a narrow coating of black acrylic paint to keep it from scratching desktop surfaces. Seo wanted to use the skills the islands traditional crafts people have developed to manufacture the series and while these aren’t in production yet, he hopes they will soon supply the local craftsmen with a consistent work flow to help offset the recent lack of jobs for these skilled artisans. 



Hands On, Vol. 9: Plain Stitches Sewing Company

Hands On Volume 9 took us to Plain Stitches in Lancaster PA, 75 miles west of Philadelphia in the heart of Pennsylvania Dutch country. We met Javan Lapp and his family, the owners of a clothing company that specializes in not only traditional and modest clothing for Amish and Mennonite populations all across North America, but also small production runs for independent makers and designers in the USA.


We first met Joseph, Javan's father-in-law, who is in charge of cutting fabric and patterns, as well as servicing the sewing machines. The two started the business in 2012 after hearing of an opportunity to buy some sewing equipment from an Amish man in the midwest who never got his business off the ground. So despite having little experience in the field, Javan's career in sales in marketing for various industries helped him to recognize this opportunity. It was a natural fit for Joseph's wife Faith, who had worked in clothing as a teenager, but given it up to raise her family. Now that the kids were grown, it was easy to pick it back up and develop her skills.

Plain Stitches is truly a family business. Javan and his wife live next door with their young daughter, and the sewing operations are located in a huge barn that was build by Javan's wife's grandparents in the late 1800s. They used to have a cut flower business, which has since become inactive, as the sewing business has picked up. Downstairs are the chicken coops and horse stables, which you'll find on just about every family farm in this community. 


The business employs about 6 people, and in addition to serving conservative Christian populations across North America, Plain Stitches gladly takes on a diverse group of other clients. When we visited, Faith was sewing a fur hood onto a flashy men's jacket for a designer in Philadelphia.

"Maker's Row has really changed the game for us" Javan says that being listed on the site brings in 1-2 leads per day, which they are eager to take on. When asked whether expansion is on the horizon, he was reluctant to say. "An operation like this could grow fairly large, but consistency comes first."


Designers and clothing companies looking to work with Plain Stitches will be pleased to know that there is no official minimum order, which is often a major hurdle for startups. 50-100 units is common for small designers, but smaller runs can be negotiated.

Plain Stitches has a wide range of machines and capabilities, including, single-needle & double-needle straight stitches, flat-felled chain stitches, cover stitches, tack machines, serger machines, binder machines, and blind stitch machines.

Learn more what Plain Stitches has to offer here.




Stone may not seem like the ideal material to use when designing plates, but these attractive trays by Peca design are making me think twice. Carved from volcanic stone, each one features a rough textured side and a smoothed polished half to allow for a contrast within the same material. They are meant to evoke traditional roots while still remaining contemporary. A set of three will set you back $193 but is well worth it for this beautiful design that is sure to be a centerpiece at any table.

We thought we’ve seen every possible Iphone case and cover imaginable, but this is the first time we’ve encountered one made from concrete. Developed by Posh Projects, the Luna iphone skin is a semi-flexible concrete covering that will add an industrial look to your phone. You can choose between a smooth finish or opt for a unique crater pattern cover that’ll make it look as if you plucked your phone off the face of the moon. For only $30 these cases will be quite the durable and eye-catching accessory.


Felt Storage Bins by Loop Design Studio - $26

Most storage bins feel a little sterile. Often made from clear or brightly colored plastics, these containers don’t always make for a great display pieces, and are then relegated to the back of a closet, basement, or under the bed. How about getting a bin you’d actually want to have lying out? These attractive felt bins by Loop Design Studio give a great aesthetic upgrade to an often-boring piece of storage. Made from soft industrial synthetic felt, each one is a flat-packed style design that simply needs folded up to be used. There are also a number of brightly colored wooden handles to choose from making for perfect accent colors to match whatever room you put these in. Then when you’re finished using them, they can be unfolded and tucked away, taking up less space than their plastic counterparts.


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When we finally made it to the look-out on Flagstaff Mountain, it still left us wondering. Beyond the snow and beyond the whiteness, there was an entire different world out there left undiscovered.


It was up to us to imagine what came next and what more was waiting to be explored. That’s the beauty of the unknown. The sense of wonder and curiosity it leaves us with…it’s what keeps us going. 


You may only see whiteness, but what I see is much more than that. - Molly Grunewald


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THE WANDERLUST SERIES: Buntzen Lake, B.C. Canada


“Retreating further down the forest road, towering trees surround us blocking out the sunlight and the silence of nature clears our minds. Looking back every once in a while - nothing is stopping us now. "


Beginning to see traces of water and mountains the trees are left behind to reveal Buntzen Lake. With our paddles in hand and cameras around our necks, we set off onto the still waters to reach further into serenity.


Docking at a small beach we find the perfect place to share memories and admire the hills dressed with trees. The feeling of this beautiful place will never subside as each visit is a new adventure." - Brad Yuen




Artist to Watch: Matthew Addonizio

Philadelphia Jewelry maker Matthew Addonizio’s innovative material-based accessories immediately caught our eyes here at Analog Watch Co. Five years ago, when Addonizio wanted to create a necklace for himself, he transformed some wood to make his first design. After more and more people kept asking him where they could buy his necklaces, he decided to start selling them. While it all started with his wooden necklaces, he now includes other materials such as rolled leather and woven fiber. The pieces are beautifully simple and have a real honesty about them and their construction.

Matthew strives to make sure each one fits his minimalistic style and that the work can speak for itself. While he sometimes begins his work by sketching various ideas, more often he is playing with materials and different forms to organically pull the design from the process. He is constantly developing new pieces and gets inspiration from a variety of fields including photography and architecture You can check out his website at www.matthew-adonizio.com where you can buy his jewelry, or his instagram where you can get a behind the scenes look at the process.  




Hands On, Vol. 8: East Falls Glassworks

Began in 2006 by Jon Goldberg, the East Falls Glassworks located here in East Falls, Philadelphia, is both an open studio for local glass artists, as well as a teaching facility for the surrounding area where one can go to take classes and learn the skills involved in glass work. The studio is the only glassblowing center in the Germantown/Manayunk area and is open to anyone who is interested in the art.

Shop manager Nikolaj Christensen talked to us about the various types of work the center does. From contract jobs, one-offs, repairs, small batch prototyping and even custom designs, the studio will work with the designer, artist, or client to realize their vision.

Nikolaj Christensen, shop manager at East Falls Glassworks in Philadelphia

Nikolaj Christensen, shop manager at East Falls Glassworks in Philadelphia

Two of the designers we filmed, Miranda Work and Skitch Manion, make up the collective Workingman Handmade. They specialize in contract work and being general glassmakers for hire while still working on a number of their own designs that they sell through their Etsy page. We filmed them as they made an inlaid glass cup, taking it from molten material to a finished product.



First the artist gathers hot glass onto a blowpipe from the furnace. They must continually rotate the rod so that gravity will not affect the viscous glass and cause it to form unevenly. A small wooden tool known as a block is soaked in water and used to smooth the glass. When the hot glass comes in contact with the wet block, steam forms and the glass rides along that barrier, slowly smoothing it out. The glass cools quickly and must be continually reheated so it can be worked with. 

A marver table is used to flatten out the form and a small puff of air is sent down the blowpipe to the other side where the glass ball has formed. The air moves to the hottest part of the glass and expands inside. This is how hollow forms and other vessels are started.

It takes great skill to be a glassblower, as it requires you to work quickly so that glass doesn’t cool off while simultaneously fixing any issues that may arise. Another piece of molten glass is gathered and dropped onto one of their delicate designs that rest on the metal table. Colored glass powder is used to make the designs and it melts to adhere with the hot glass puck. Then the previous form is attached to the disk creating the bottom of the cup. A jack or giant pair of shears is used to shape and cut the vessel as needed. 

After they are pleased with the design, the rod is removed and the base smoothed out. It is then transferred to an annealing oven for anywhere between 12-15 hours so the glass can reach an even temperature and won’t break after being made.

Miranda Work & Skitch Manion of Workingman Handmade demoing the process described above.

Miranda Work & Skitch Manion of Workingman Handmade demoing the process described above.

If you’re interested in learning more about the East Falls Glassworks, taking their classes, or discussing possible projects with the artists in residence please feel free to check out their website at eastfallsglass.com or email them with any questions you have at info@eastfallsglass.com. Finally thank you so much to the team at Glassworks for allowing us to come and film them while they work.




The ability to customize our products has become more and more important to today’s consumers. However, one area that has seen little room for customizability has been travel kits. That is until these attractive and versatile leather cases made by This is Ground. The Mod series is a collection of different handmade leather cases that offer a wide variety of interchangeable inserts with different pockets or clasps for specific occupations or hobbies. The prices vary depending on which add-on or case you buy, but it is well worth it for a carryall that reflects your passion.

Designed and founded by two friends in the UK, Woodbuds is a new company that is focused on lessening their global footprint and on giving back to our planet, one tree at a time. Made from Walnut, these headphones come in several bright colors and offer various sizes for different users. Each one comes packaged in 100% recycled boxes and for every 1,000 products sold, and the company partners with The Woodland Trust to plant a tree in an effort to give back to our environment. You can pick up a pair for yourself on their website for around $38 and support both a well designed product and a good cause. 

Simplicity will never go out of style and these attractive desk organizers by Most Modest are at the peak of simple and elegant design.  Made from wood and recycled cork/rubber, these organizers feature a cut out to store your phone, a holder for your pen or stylus, and a hidden compartment perfect for smaller items. The contrast between the speckled cork/rubber lid and the natural wood is sure to add a nice accent to anyone’s desk. 




Some beautiful kitchen accessories that caught our eyes this month were these gorgeous maple set knives by Warehouse Brand. Hand-crafted from Canadian Maple and German stainless steel, these attractive blades feature a set piece of wood that highlights the precision steel behind it. By using the wood, what is usually a cold or industrial looking product suddenly becomes a warm, and inviting statement piece. They even were part of the prestigious 2013 Red Dot design awards best of the best showcase. While not commercially obtainable just yet, they are available for pre-order on their site and will set you back roughly $100.

There is something so refreshing about non-intuitive design.  That moment of surprise when you finally figure out what the purpose of this object is. At first glance, the RUBAN appears to be just a simple bent piece of steel, but it is actually a stylish, sculptural bottle opener. One side is a reflective polished metal and the other a matte surface, which creates a wonder contrast between the two. The elegant bent hook fits perfectly onto bottle caps allowing for a hassle free opening. This kitchen and bar utensil is sure to sleekly fit within any context thanks to its highly minimal and precise design. Made by CONTEXTE Design, one will cost you roughly $67, but it is well worth it for a timeless piece of art that will be sure to last a lifetime. 

While planters and pots are perfectly acceptable ways to display your plants, it is always refreshing to see them get off the ground and up onto the walls. Designed and made here in Philadelphia by Vivo Walls, the Olla sconce planters are a new way to show off your green thumb. Built from recycled glass bottles and large carved chunks of wood, these striking vessels will add a nice accent of nature to any wall in your home. Each one attaches with an included bracket that is easy to install.  They even sell multi-vessel holders that can be set up with hydroponic systems, perfect for the indoor gardener in your home. 



Hands On, Vol. 7: Huntingdon Yarn Mill

Nestled right in the Port Richmond neighborhood of Philadelphia, you'll find the family owned and operated Huntingdon Yarn Mill. The building, it's machines, and it's people reflect not only Philadelphia's historical manufacturing past - but the hidden gems just waiting to be discovered by designers and makers who are wanting to produce regionally. If you know where to look and can learn about the process, you can make and design here.

Huntingdon Yarn Mill is owned by Fay and Majid Jarah. Majid started working for the mill 30 years ago, bought in some time later, and the business has been a family and friend affair ever since.  With about 50 employees, most of whom live in the neighborhood, they seem to have the same set up as most of the other manufacturers in this area.  They love and treat their employees like family and it's very common to find siblings, spouses, and family members of various generations all working under the same roof.

Quality is key, whether it be natural fibers or silk, linen, and rayon - Huntingdon keeps it's customers because it produces a superior quality material. This distinguishing quality, according to owner Majid Jarah is the quality of the tried and true equipment from the '30s "Newer machines - they loose the detail. Some people want perfection and our machines can create that" 

Two years ago Huntingdon launched "Made in America Yarns" - an offshoot that focused on direct to end consumer yarns manufactured and dyed in the USA. The company is focused on yarns for three main markets: home furnishings, clothing/apparel, and the craft industry for hand knitting. One of their specialties is also metallic yarn - which is the combining of metallic yarns with nylon, rayon, acetate or silk.




We go into the similar manufacturing process in detail in our very first Hands On video where we cover Wayne Mills Co., so we'll touch on it just briefly here. Yarn is created in three steps: production, dying, and finishing.

1. The yarns start off as spools of thread that are sent through machines called twisters and winders. These highly technical machines create the unique patterning or texturing which is then wound up on large skeins. A skein is basically loose spool of threaded material.

2. The material is loose because these skeins are then dipped into various dye baths. Every batch goes through a number of dyes and then washes to achieve the purest and cleanest colors and even dye treatment. Huntindon uses direct and acid dyes, depending on the material type.

3. After dyeing, the loosely wound skeins are hung to dry in a warmed drying room. They are lastly wound and wrapped onto spindles ready to be sold to other makers and manufacturers in various industries.

Eileen Schiazza and daughter Angela Taylor have worked here for over 23 years.

Eileen Schiazza and daughter Angela Taylor have worked here for over 23 years.

Presidents Letter

Majid Jarah has a terrific letter on the website which I think clearly expresses what Huntingdon is all about.

"Dear friends and potential customers,

I arrived in the US after graduating from a textile university in Manchester, England. I began my career working as a purchasing agent for Huntingdon Yarn Mill. About 14 years ago, I took a leap of faith and purchased the Mill. With 30 years of textile experience behind me, I am very proud to be a domestic manufacturer of textiles in the USA.

We here at Huntingdon are a team of 50 people who hope to continue our work for many more years to come. We are truly a family run business. Jesse, our Plant Manager, has been working in the textile industry most of his life. Barbara, our Office Manager, has been working at the company for over 25 years. Her mother, Loretta, has worked here for over 50 years before retiring three years ago. Barbara’s daughter also worked with us until three years ago. My wife, Fay, works with the Dye House as well as in our Marketing Department. My daughters, Ranna and Sarah, work in the office part time whenever they have time off from school.

As a family business, we stay true to several core values with suppliers and customers. We purchase raw materials from domestic manufacturers as much as possible; saving our supplier’s job in turn insures our own. There is a glorified desire among the American people for saving American jobs, but when it comes time to take action, we become reluctant to make the necessary changes.

Buying products from overseas may seem more cost-efficient, but the result is not necessarily more quality-efficient.  Domestic Manufacturers are still making the best products in the world. However, if we do not take action now we will lose the valuable and accessible resources they provide. The most reliable wool and cotton spinners are still in the US. Believe it or not, our company is shipping Novelty yarns to China where they are made into garments before being shipped back to America.

Last year, we had a booth at the spin Expo show in New York City. Most of out young design visitors were surprised to know that there was still a textile mill operating in Philadelphia. At the same time, the large fashion companies are saying that their customers are demanding American made products. When I asked “Why are we not able to sell more of our products to internationally renowned American companies”, I was told that it was a set mentality. Designers who have a choice between an American-made product and a more expensive European product will vote against domestic manufacturing in the US under the false pretense that the quality is not as good.

I have no doubt that the given the opportunity, US manufacturers are capable of producing a product as good as or better than overseas suppliers. We can offer consistency and reliability as a result. This will provide American jobs, which will be good for all of us.

I would like to take this opportunity to prove that we can withstand the test of comparison.

Thank you,

Majid Jaraha
The President"


If you are looking into or are interested in production of your own yarn visit www.hymill.com . Special thanks to Karen Randal and the Philadelphia Chamber of Commerce for facilitating this trip.